Clayton Thomas showcases all the possible positions of the instrument, ways of tickling, teasing, forcing, caressing, beating and shaking sounds out of the body of his double-bass The range of sounds is exceeding the preconception most audiences might have about the double bass by far. It is the team’s ambition to overwhelm with playfulness – and surprise the audience with new images and sounds and combinations of these. Rather than striving for dominance, the contributing elements are supporting each other, allowing a new definition for music theater.